![]() ![]() Last week, Young released “World Record,” his forty-second studio LP, and an album focussed almost exclusively on how to combat climate change. It sounds like both a lament and a warning. My favorite version of the song was recorded live at Carnegie Hall, and features just Young’s voice and piano. On the title track of 1970’s “After the Gold Rush,” he dreams of a climate apocalypse, spaceships zooming across the Earth to gather and repurpose its bounty: “Look at Mother Nature on the run / In the nineteen-seventies,” he sings, his voice high and splintering. ![]() ![]() Young has spent most of the past fifty years arguing for environmental causes, even (or especially) when nobody was keen to listen. On occasion, he has veered toward tenderhearted folk rock, as a member of Crosby, Stills, Nash & Young, and on records such as “Harvest,” his fourth LP and the best-selling album of 1972. Since 1968, Neil Young-who was born in Toronto in 1945-has been making raucous, astringent guitar music, both as a solo artist and with his longtime backing band, Crazy Horse. ![]()
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